Artnet, by Caroline Goldstein
June 26, 2020
As galleries around the world begin to slowly reopen, we are spotlighting individual shows—online and IRL—that are worth your attention.
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As galleries around the world begin to slowly reopen, we are spotlighting individual shows—online and IRL—that are worth your attention.
Read MoreA look at what the female gaze really means in the time of Coronavirus, as seen through the eyes of eight artists, tackling subjects from loneliness to ageing to disease.
Read MoreShelley Adler’s portraits of women are striking. With a deft economy of forms she captures the enigmatic quality of the human gaze, loaded as it is with the sorrows, pleasures, and hopes of individual experience.
Read MoreWith so many of the galleries we love closed for the forseeable future, many by appointment only, we are just catching up and reminding people that some great curated shows were happening recently that deserve attention.
Read MoreJanet Werner has spent decades exploring the form of the portrait. Culled from fashion magazines, her women peer through thick mascara, don elaborate outfits, and inhabit bodies Werner has stretched and warped in paint.
Read MoreIt’s a sunny Thursday afternoon as I head across town to Toronto’s east end and Walter Scott’s studio - a bright room with high ceilings where his works in progress seem camouflaged amid the studio furniture.
Read MoreJoin artists Bambou Gili, Eliza Griffiths, Nadia Waheed, Janet Werner, and the curatorial fellow at the New Museum Jeanette Bisschops for a conversation in conjunction with the exhibition “This Sacred Vessel (pt.2).”
Read MoreThe first iteration of this group exhibition explored the ways in which climate change is influencing the firmly-entrenched tradition of landscape painting.
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